I have to say, I do enjoy photographing vehicles. Automotive photography in all its forms, and not necessarily the fastest, sleekest sports cars either. I just like creating the best image I can for my client. My client? Actually, on this occasion, my client is a marketing company, Moo Creations. They gave me an interesting, if very short brief. “We have a client who
Model portfolio shoots are often daunting for both the model and the photographer. Often, it’s the first shoot for a model wanting to start a new portfolio. For the photographer, it can be a lot of work building the relationship and helping the model find their feet and feel comfortable.
This was from a lighting course I ran a little while ago. The intention is to recreate a window light and infer a little drama.
I’m in the process of moving across to Elinchrom, and one of the areas of my work that looked like it may throw up a challenge or two is high speed photography. Water splashes against products and that sort of thing. There’s a basic rule of thumb when shooting high speed imagery such as the above. IGBT rules!. From speedlights to IGBT location lights and
