Review Phottix Raja 65cm I've used the Phottix Raja range of softboxes for quite a few years, and found their quality to be outstanding. So when I was looking for a smaller alternative to my Phottix Raja 105cm, I took a look at the Raja 65. Well, to be fair, I prevaricated over buying it about three years ago, when I went on a bit
Motorcycle Photography Carlisle Cumbria Harley Davidson Sportster 883 I've said it before, automotive work is certainly amongst my favourite genres, and I really don't mind what it is I've been asked to photograph. Huge lorries or the smallest car, it's all good. But, I do enjoy shooting interesting or challenging vehicles the most. And oddly enough, motorcycles can be every bit as challenging as a
Creating Lifestyle Product Shoots Lifestyle imagery is far more than simply a photograph of a product being used. Your client has a very specific target market In mind, and the lifestyle imagery needs to appeal to the prospective end client. We all buy on an emotional level, whether it's shoes, cars or camera equipment. Often, items are purchased with a goalor aspiration in mind, rather
Review Elinchrom One The Elinchrom One. 131Ws in a small, and rather aesthetically pleasing little unit. But is that all there is to it? I mean, 131Ws? It doesn't seem like an awful lot of power to me. I photograph cars, food and all sorts of stuff, and I tend to need more than 131Ws. As with any equipment I'm asked to review, I make
Location Dance Shoot Well, I've utilised the Elinchrom One review kit on a number of client shoots so far, including food photography for the Lavender Hotel Group, and a couple of automotive shoots. And as I pondered which shoot I should take the kit along to next, I was hijacked. Erm, apparently, I was asked if I would like to see what the Elinchrom Ones
Food Photography For The Lavender Hotel Group Whenever I'm asked to review a piece of equipment, whether it's lights, cameras or lenses etc, I tend to use the equipment in real world scenarios first. That basically translates as client shoots, because I find it gives me a wider experience of the equipment, rather than “This is what it is, and these are the specs”. I
Photographing large vehicles on a bright day Automotive work is something I particularly enjoy. I don't mean just the exotic cars, although they certainly have their appeal. I'm talking about anything, and pretty much everything. Your exotic cars tend to be a bit of a crowd puller, no matter how they are photographed. Large artics, buses, gritters, refuse lorries, motorcycles and family saloons all present
Review Phottix Raja Deep 80cm Hexa This is not your bog standard, use every day kinda box. And it was certainly not bought with the intention of using it for all and sundry. No, I had a very distinct idea as to how and when I would use this box, which I will come to later. If you own any of the Phottix Raja range
Creativity with Speedlights Whilst I have access to a wide range of lights and modifiers, sometimes simplest is best. On this particular occasion, simplest was fastest.
Review Sirui E30B Bi-Colour Soft LED Panel As a lot of you will know, my main strength is lighting, and this is what attracts my clients. It tends to be strobe lighting in some form or other, and I’ve tended to leave the LED panels generally to the videographers. I mean, they’re the folks that actually need constant light, right? Well, I’m starting to change
