In the summer of 2014, I was contacted by Cabinet Maker magazine with a request for an interview regarding product photography in relation to the furniture industry. This started a flurry of activity as we quickly shot a number of images specifically for the article, ahead of the interview. We wanted to sow a range of styles and locations, mainly to show our flexibility.
Part of Adnan Bayyat’s collection for London Fashion Week and Fashions Finest included something a little special. The artist Swarez kindly donated two painted canvases, which had been very carefully prepared by Swarez to be supple. Each of these canvases had a five figure value, and it was certainly a unique material, texture and design. So, with such valuable material, Adnan of course was very
I was looking for somewhere interesting for my bridal portrait session at Heskin Hall, and came across this wall. It was dark, but had interesting alcoves that I have no idea as to what their intended use is. But for my bridal portrait, their use was pretty obvious.
Right at the end of October, I received a phone call out of the blue from renowned fashion designer Adnan Bayyat in Manchester. Basically, he was to both open and close the first day’s show at the London Fashion Week with Fashions Finest. His main issue was the fact he needed images of two collections ahead of the show to capitalise on this opportunity. Apparently
If you challenge a photographer, they’ll likely want to do it properly. And at this point, it’s either go big, or go home!
Jewellery photography is a subject with it’s own challenges. Highly reflective surfaces and jewels that don’t always react to light as you might expect.
Product photography on a larger scale brings its own challenges, not least of all being the space to shoot it! Luckily, we have 6,000 square feet to play with at the studio.
This particular assignment was to provide new headshots for their website’s “meet the team” page. Whilst there, Matt asked for a group shot to be possibly used with their social media outlets. After a couple of standard type group images, I suggested something a little different, which is basically what “Mini” is all about.
The Preston Marriott wedding brochure was shot over three days. The first two were purely focused on the hotel interior, whereas on the final day, we were to get some exterior images.
This image was part of an advertising portfolio for Simon Dunn Chocolatier in Preston. My technique for food photography has been developed over a number of decades, and the technique has also developed as equipment has advanced. I have to say, the launch of the Lencarta Atoms made a lot of the usual challenges I face with food photography just evaporate.
