Using Light to Define The Viewer’s Perception
This shoot was arranged to benefit Rebecca, our model, and also Keli, the rather unassuming and very talented makeup artist.
This shoot was arranged to benefit Rebecca, our model, and also Keli, the rather unassuming and very talented makeup artist.
I have to say, I do enjoy photographing vehicles. Automotive photography in all its forms, and not necessarily the fastest, sleekest sports cars either. I just like creating the best image I can for my client. My client? Actually, on this occasion, my client is a marketing company, Moo Creations. They gave me an interesting, if very short brief. “We have a client who
This was a bit of fun. Something to prove I don’t just “work” and I have a real life outside the studio, or something like that. A horror cosplay shoot organised by the wonderful Hazel Riddle, friend, photographer and a general tormentor.
Model portfolio shoots are often daunting for both the model and the photographer. Often, it’s the first shoot for a model wanting to start a new portfolio. For the photographer, it can be a lot of work building the relationship and helping the model find their feet and feel comfortable.
All my food photography is client driven. Whether that’s restaurants, hotels, recipe books or Getty Images, the brief and styling is usually someone else’s decision.
This was part of a series of team shots for a BMW Mini dealership.
This was from a lighting course I ran a little while ago. The intention is to recreate a window light and infer a little drama.
This was the first outing for the Elinchrom ELB400 in early spring 2016. This particular image was among the last to be shot on that day.