Photographing large vehicles on a bright day Automotive work is something I particularly enjoy. I don't mean just the exotic cars, although they certainly have their appeal. I'm talking about anything, and pretty much everything. Your exotic cars tend to be a bit of a crowd puller, no matter how they are photographed. Large artics, buses, gritters, refuse lorries, motorcycles and family saloons all present
Using The OM SYSTEM Cameras For Automotive Photography I have used many camera systems over the years, for various aspects of my work, including food, automotive, property and products etc.. Starting with film cameras such as Fujica, Contax and Nikon, before stubbing a tentative toe into the realm of digital cameras. The impact of digital on the commercial photography world still holds surprises, which I
I’ve had an interesting conundrum of late, with an increasing trend for overhead food photography. Food photography is a particular passion of mine. And no, I don’t eat what I photograph, otherwise I’d be known as the fat photographer!
Classic car photography is a real passion of mine. Okay, so I’m a sucker for automotive photography of any description. And yes, I know I have said I really enjoy the big stuff, such as lorries or truck, and buses for that matter. But take a lovingly restored classic, where the attention to detail is something to be marvelled at, and that makes for a
Lanzet are a bespoke kitchen design and manufacturer, based in Preston. I was asked to provide updated images for their website and brochure etc., with the emphasis to be on the quality of their work, and craftsmanship.
CP Davidson are based in Chorley, and build custom lorry back ends, such as the skip hook adaptation pictured above. Therefore, the photography needed to concentrate on their work (The adaptation) rather than the cab. Obviously, the cab is the pretty bit, but the hook assembly is what they do, and what they sell.
How Restaurant Owners Use Food Photography As many restaurant owners understand, the methodology of marketing to a target audience isn’t just driven by the business, it’s driven by their clients.
Meet Damien McGlade, photographer and a long time friend. Although he did scare the hell out of me when I first met him. But that’s another story.
Talk about coincidence. The day after the motorcycle shoot, I had an enquiry to photograph a couple of cars.
Chocolate. The one thing I have a hard time resisting when I’m photographing food. And this is particularly good chocolate, I have to say. Besides, if I didn’t eat at least some of it, my wife would grab the lot, never to be seen again!
