Using One Speedlight for Bridal Portraits
Lets talk budget stuff. One speedlight. What can we do with one speedlight? Well, in this instance, we used it to create a nice directional light which defined the texture and shape of the dress.
Lets talk budget stuff. One speedlight. What can we do with one speedlight? Well, in this instance, we used it to create a nice directional light which defined the texture and shape of the dress.
This was a very simple, but effective setup. The image was taken quite late in the evening and in darkness. All light is provided by off-camera flash, and the downside was having to setup by touch in the dark. We had a solitary LED torch, which helped, but it took a great deal longer to setup than I would have preferred.
Model portfolio shoots are often daunting for both the model and the photographer. Often, it’s the first shoot for a model wanting to start a new portfolio. For the photographer, it can be a lot of work building the relationship and helping the model find their feet and feel comfortable.
All my food photography is client driven. Whether that’s restaurants, hotels, recipe books or Getty Images, the brief and styling is usually someone else’s decision.
I spent the early part of 2015 running around the Lake district and Cumbria in general. This was for Lloyd Motor Group, creating headshots, dealership interiors and exteriors, along with team shots etc. However, Cumbria being the black hole of connectivity that it is, this tutorial is somewhat late, and I apologise for that. I forgot!
This image was taken at a wedding on the 14th November 2015, and the weather was particularly foul.
This was part of a series of team shots for a BMW Mini dealership.
First things first. I very rarely get to shoot anything purely for myself. Everything tends to be client driven. This shoot, however, was organised by one of my crew, Wayne Myers, and I think it was basically to stop me being so grumpy. Well, for a few hours at least!
This was from a lighting course I ran a little while ago. The intention is to recreate a window light and infer a little drama.
This image came from a location lighting course I was asked to host in August 2015 for Cambrian Photography, based in Colwyn Bay, Wales. Our model was a local “Outlaw” chap, complete with a self-built bike.