My initial interest in this unit had nothing at all to do with studio work, or even lighting for that matter. It basically utilises your mobile as a wireless, feature rich remote release. There is some overlap with the Miops Smart, such as the HDR mode and timelapse mode, but with a slightly different approach. The unit is small. Well, it’s actually tiny.
This series of images were requested for a PR company that specialised in PR for companies dealing with interiors. The brief was rather vague, other than to get a variation of images, including details. The guidance would come from the builder and owner.
The Miops range of triggers have become an integral part of my work kit. The Miops Smart is just a phenomenal accessory producing real creative opportunities with my commercial work, and the Miops Mobile & Dongle make life so much easier.
This was a rather nice shoot, and a bit of a reunion. Hannah is a violinist and tutor, and needed some imagery for her website which promotes her sessional work. I say a reunion, because I had photographed Hannah and her boyfriend a good few years ago, when they were members of Montego Bay.
The 60 cm Sundisc from Approach Studios is touted as an “ultra portable softbox reflector”, and it was this tagline that caught my eye when I spotted the kickstarter campaign in June 2017.
Fashion photography can be a funny old thing. You meet with the client and they have a good grasp of what they want. They want the detail to show, and the quality to stand out. Great, that means they aren’t going to go for that full on flat lit look, so often seen on their competitors websites. Something to look forward to.
The food provided for the attendees at the Enterprise Visionary Awards is always something special. And this year, they didn’t disappoint.
A brief video of the last part of the Elinchrom ELB1200 review, using the Pro head for High Sync.
I had the opportunity to photograph the rather beautiful Mercedes SLR McLaren at William Loughran, esteemed supplier of performance and luxury cars.
This was the second shoot with Hazel for her client, Kenanks in Burnley.
